Sunday, April 28, 2013

In Search of Whatever by Vernon Frazer


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Vernon Frazer is a regular contributor to this blog. He appears in AlteredScale.com 1, AlteredScale.com 2, and AlteredScale.com 3.  

Thursday, April 25, 2013

on Jar Moff's "Commercial Mouth"

by Kevin Colpean

Destabilizing music, for Jar Moff, is not an excuse to be incoherent. Instead, his first LP, the two song Commercial Mouth, acts as a magnet, picking up hyper-fractured samples of pop songs, to form new geometric rhythms. I’d call the shapes collage-like, but the pieces themselves are no longer reference points. Whatever pop remains is unidentifiable. What listeners can latch onto, though, are hip-hop beats overtopping the fragments.

The restrained downtempo beat in the first track, “Tziaitzomanasou,” is a spaceship sending its passengers through Kubrick-like voyage. Cosmic whirrs, laser beeps, loops of rewound transmissions . . . the travelers are far from Earth. The near psychedelic chaos reminds me of Acid Mothers Temple, but more aware of sonic momentum and when to change movements. The spaceship is also breaking down. At times, the beats collide with rhythmless industrial clangs, halting the tempo in what feels like frantic malfunction, until a new beat churns into play. The battle creates tension. Over twelve minutes of this struggle plays out, until the track fades into the distance, indicating an off-screen continuation instead of a resolution.

Track two, “Commercial Mouth,” is more recognizable as instruments playing music. After a brief layering of looped samples, the song eases into free jazz. Sax, drums, and piano take over, while still retaining the hip-hop/cosmic subtext. Track two achieves a level of depth that pure space rock, heavy psych, or downtempo hip-hop often lack. Moff isn’t simply asking his audience to zone out; he’s asking them to consider the outcome of flooding speakers with the remains of de-contextualized/re-contextualized music, as if he’s rapidly flipping through nothing-to-watch TV and wants to know what we see in the cadenced blur. For a first album, Commerical Mouth shows Jar Moff to be an ambitious artist—more than just another person behind a computer mashing together songs.



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Kevin Colpean has an MFA in Creative Writing from Cal State San Bernardino. He has worked for several literary magazines including Bravura and Ghost Town. He has an extensive music collection that always seems to be just a few albums way from completion.

Wednesday, April 24, 2013

than a mere

by Jefferson Hansen


dawned bright
cold
this could be the day
of a break
a crack
an end to part of
this derision
for even stupidity
develops a momentum
to its own
erosion
could, could
rolls out in front
which part will
give its
treasures and wish, now,
seems less than
naïve
than a mere
distraction
what wouldn’t when
could comes
around
and the lessening of
the angle
the pour of heavy
issue
down the slope of stance
the twist
of trip
and feint of fracture
the dissolving
weight rises into
vapor
and there is no
final need
set the stuff in order
prepare your responses
and just hang
around
persistence
alone brings fortune

Tuesday, April 23, 2013

The Nose Knows

by Dan Ryan


The warmdry wind of autumn
blowing today it was.
The wind native midwesterners
of non-native descent
with the current season
associate.
That season from summer
peeled itself
away.
Just last week.
On Friday.
No midwestern nose mine
mind you
but
a pacific northwestern nose
the change
noticed.

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Dan Ryan is a regular contributor to this blog, and he appears in AlteredScale.com 3.

Sunday, April 21, 2013

Tom Cassidy—Untitled

(Click to enlarge and isolate)



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Tom Cassidy appeared in AlteredScale.com 3 and is a regular contributor to this blog.

Tom Cassidy's written and drawn works have appeared in hundreds of smallpress and mainstream publications, as well as galleries and museums around the world. His works are archived in dozens of art institutions, often under his own name. With John Bennett and Scott Helmes, he co-edited Vispoeology (2007), an international anthology of visual literature for the Minnesota Center for Book Arts, where he also co-curated None of the Above in 2009. In 1976, Tom co-founded the Portland performance poetry troupe The Impossibilists, who were reunited in April, 2008, for a series of shows by the Oregon Heritage Commission. He is currently a board member, performer, and curator for Cheap Theatre and Patrick’s Cabaret.

Friday, April 19, 2013

Easily Accessible Before


by George J. Farrah

And this being true

  a  steepled
     sail of a   shirt
                or
                 news
         eating  buffalo
            the mark
                   of
                        November
                   in  Spring

Who hears sad
         young wives  electricity

  (I am draining  out an awful story
                                                      or song)

  to   wire you   this

     building   kneeling

       in   places

         who   am   I

                               Kindling?
                  or

                  the  full 
                    harrowed field

              (my so called
                        musings)

      isn’t  it iris  grey
       when you talk noon?

                      a  re-assembled
                              ancient
                            streak
                                         of any
                                               city
                                                 at any time
   
                       the poplars
                              and ash
                            are
                         raging

               the  women and men
                    appear  as
                           sharp
                                     canvas

                           dishes vacuuming
             the first one I mentioned
         the future furniture is not
a rape of nature they say the best critic
 is dying with the daytime always entirely
  comfortable anywhere I will admire the floor
   again and mention sunsets similar to those flowers
     that were easily accessible before but parts of this
      like a news business are the first to be trimmed
         express themselves before the people and what
          laws apply to that because as it is true of any goal
            established by the designer of it our behavior
              is not the problem nor internet nor legs or virtual
                turf the patterns lead to substitute versions of
                  reality which we all know are unfortunate in
                     what skill gets larger it is not something they
                       would have told us above passivity thinking
                         through the whole culture like that brings
                                 it a start   so  the heart
                                   may   respond  just so.

___________________

Farrah will appear in the AlteredScale.com issue three launch reading. (Click link for details.)

This poem appears in Farrah's upcoming book,  The Low Pouring Stars (Ravenna Press). Farrah is a visual artist and holds an MFA in writing from Bard College.

Thursday, April 18, 2013

Narratives Off Lance Olsen's CALENDAR OF REGRETS (FC2)

by Jefferson Hansen

(Click on each page to isolate and enlarge.)

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Lance Olsen is the author of numerous novels, including Nietzsche's Kisses (FC2).



Wednesday, April 17, 2013

The Edge Of A Reservoir


by George J. Farrah 


                              She told him

but waits until the lashes (lakes)

what do you see?


the sleeping sight

the weather of Mother

the wasteful alone     alove


  the edge of a reservoir

          so high up   (in your clouds)


                                   I am  a  fire  pet
                  she  said

    
   someone   is   the judge
                          
        a  kindness of the hand
                              toward you

wisely  a breath

comes  to  being


  out of the language

of the loving


a relentlessness like
  the    leaves

                          the grass is
                        now
            the whole  world


            as tall  as 
               you are

            and
               as rhythmic

            as you need
                to  be




                       I  think  maybe

            you’re a contribution

            of  pouring  stars
            
                     down  my   shirt
                             he  says

             but the  year wanders. they wander.

__________________


Farrah will appear in the AlteredScale.com issue three launch reading. (Click link for details.)

This poem appears in Farrah's upcoming book,  The Low Pouring Stars (Ravenna Press). Farrah is a visual artist and holds an MFA in writing from Bard College.

Terrence Folz Reading From "Bunt Burke"

  Terrence Folz's chapbook  Bunt Burke will appear from The Circulatory Press in August 2021. The above film features him reading some o...