Showing posts with label Ann Bogle. Show all posts
Showing posts with label Ann Bogle. Show all posts

Thursday, June 27, 2013

Ann Bogle, AlteredScale Writer, Recognized As Authoring a Top 50 Very Short Fiction for 2013

READING 


by


ANN BOGLE



preceded by



Lenora Drowns-Twin Cities visual artist and poet



George J. Farrah-visual artist and author of forthcoming poetry collection The Low Pouring Stars (Ravenna Press)



Jefferson Hansen-novelist, poet, essayist, editor of AlteredScale.com

June 29 
7:30 
SubText Books
165 Western Ave. N., St Paul, MN

In Blair Arcade building.


Every year, Wigleaf publishes a list of the top 50 Very Short Fictions that appeared in the previous year. TheAlteredScalePress and AlteredScale.com is proud to announce that Ann Bogle's "Meryl Streep Laughed at That" made the list this year. What's more, it originally appeared as a broadside with a beautiful photographic backdrop designed by Ann herself. You can purchase the broadside at TheAlteredScalePress.

Wigleaf Top 50 Very Short Fictions 2013

Thursday, January 31, 2013

Poems by Brannen, Kasimor, Folz in Honor of Chapbook Launch Feb. 1

TheAlteredScalePress Triple Chapbook Launch

Fri., Feb. 1
The Bookhouse in Dinkytown
429 14th St. SE, Minneapolis, MN.
USA

Jonathan Brannen-(2 titles) 
                              —SWAY
                             —TURNING POINT
Mary Kasimor—DUPLEX
Terrence Folz—DEAD PARROTS

Jonathan Brannen has published about two dozen books and chapbooks of poetry, prose, and visual poetry over a long career. He is best known for deaccessioned landscapes (Chax). He is also a perceptive country music songwriter, with an excellent cd "time stained streets."

Mary Kasimor has published three full-length poetry collections, including & cruel red (Otoliths). This is her second chapbook, the first being the electronic cruel red (ensemble jourine).

Terry Folz is seeing himself in book form for the first time. He has supported and participated in the Twin Cities' open mic scene for years. 

Purchase books here: TheAlteredScalePress

______________________

House Warming

by Jonathan Brannen


         They had faded into the traces of a modest life but today the police are at the door and no one is smiling. There is a certain strength here, there is the clatter of wooden hearts, there is no convincing form of advertisement. An overt sky descends upon the window as if what's ordinary always makes the impression of ordinariness. There's a resemblance between light and years to someone who's only passing through. In the background, leaning against the blind wall, sleeping guitars and somnambulant musicians are performing some function, perhaps a memory which can't be shaken. What's natural to say in other surroundings, may be unnatural  if said in isolation. And even if this is only conditional, it does say something about the past.


in egg land

                 by Mary Kasimor

fish rust belches out the pacific wearing
a sole of foot  that grew from
bed monsters’ weird
scarce rotating water a soul scape
washes & nibbles & sorry never
not from the view

from thinking large is larger & life
is a hole in the fence
a view & a hole in
the heart between fingers a marble rolled
down a sidewalk be fearless & wary
of chalked philosophies

plato’s tongue unwinds
he spat into the wind
it didn’t talk back 
escape in symbols

the drummer donates the heart
to body bursting
enlightenment a dim light heart
in hallways at night blood
& darkness blue in light

non-oxygen from
hard times flaming in decision
& gun fluorescent a totemic
tree blazing lawn lingering
inside curtains gigantic tale of
small hands & feet tongue stuck
to a tree growing into the bark
another baby missing

bird got away 


Untitled

by Terry Folz

I.   Dead letter carry-on.
     Pigment parcel mandate.
     Genuflect.
     And spit conniving
     picture-paint spatters.
     Beefhearts feed cast members.
     And no one goes home alone.
     Pray for the parrots
     in the rectory.
     Telegram edicts paper the windows.

II.    Lapdogs.

       I am isolated in box fear.


III.  Joggers on the treadmill.
       Manuscript for radial pain.
       I fold dilapidated picture postcards
       inside the pages of a temperate rain magazine.
       Calling cards optional and extraneous.


IV. I kick my way through
       broken puzzle cardboard.
       Sitting white and cold.
                                                        2012




Monday, April 9, 2012

Fiction by Ann Bogle


First Sex


[This first appeared on the Ana Verse blog] 

On Dec. 2, I met Nils for the first and only time. Nils, a university geographer, found me at an internet dating website. He drove two hours to meet me on my turf. My own car, a 1989 Volvo 240 DL, had been and is still on the fritz, and with the weather expected to turn wintery, which it did, Nils had decided to go to me.

I have listed with internet dating websites for two years without ever meeting someone that way in person. Mostly, I get affirmation from them and little more. I do not shop the photos to look for Mr. Next. I wait for them to shop for me, and shop they do. Sometimes I receive five or more electronic winks in a day and cannot even begin to reply to them; also, I have no interest in replying to them. Then I wonder if I ought to take my profiles down from the websites so no man mistakenly believes I might be thinking of him, too, as happened to me at the beginning: I thought for a week that a certain "artist" from St. Paul had his mind on me because we had mutually "winked" at "each other." Neither one of us would pay the subscriber fee and actually correspond.

Nils was different from the start. Since he signed one of his letters with his full name, I searched him at Google and contacted him at work, which annoyed and confused him: He thought the dating website had committed a security breach. The breach was mine, not one of security, but of etiquette. Nils provided a different email address for my use, and we started to correspond. Let me simply say that Nils was the best correspondent with whom I had exchanged letters in twenty years, which is saying quite a lot, since I have tended to correspond with writers (albeit writers who may run cool toward correspondence). By contrast, Nils was fiery, opinionated, and sure on personal subjects.

After our date, which included dinner, a glass of wine, and a ridiculous TV show about a private investigator following a woman who worked for a sexual bondage service, we "did it," as we like to say here in Minnesota, on the hotel bed. I rarely discuss sex. I had learned early on that it's better never or almost never to mention sex except with the related sex partner and not to discuss past sex with someone else.

One day, out of the blue, and not due to any conversation, it occurred to me that I had not mentioned sex enough. I had left myself open to too much speculation, too many blanks that might give the impression of frigidity or boring or unearthly ways. At the website, my sexual personality test revealed that I am a Traditionalist. Nils is an Intellectual.

After our date, my sister, who has a boyfriend, came over with her Weimaraner. I started instantly to tell her of my sex with Nils. She shirked the conversation, tried to change the subject, and more than once, I persisted. I wanted her to hear about it. "I don't want to know about your sex life," she said at last. "I don't have a sex life," I told her. "I had sex, once, with Nils." In 2003, I had sex twice. In 2004 not at all, and in 2005, twice, once with Nils and once with my ex-boyfriend, who had not had sex since 2004.

I called my woman friend, whom I have not seen in two years (it seems) except for running into her once at a cafe. "I had sex," I called joyously into the phone, as if I were calling out my name to hear it echo in the mountains. "You're funny," she said, but it didn't sound like "funny" is what she meant; it sounded like she meant more like "weird." She has had a boyfriend for years; having sex for me was weird, and talking about it was even weirder. True, when I had a boyfriend, I had sex each day, and it had not seemed weird at all, but once-a-year sex is of another order and is genuinely noteworthy.

To be even more bold (and speak more about sex), I told two men about it; I told them my date with Nils had included amazing sex. I told them it was timed for conception. I told them I wanted "it," meaning the baby, even though I didn't get pregnant.

I wrote to Nils: "Sex with you was of the highest order I have ever experienced. I was nearly drunk on it. I 'saw' nothing except my open vagina against a screen, as if the whole room and world were nothing except an all-around vision inside a cunt. A flower, that is.

It was deep, indeed. So now I must ask you (since I was in stellar orbit) did you come inside me? Usually, I know that type of thing. This time I wouldn't be able to tell you."

Sunday, March 4, 2012

"The Loose Hat of the Confidence Man" by Jefferson Hansen


"The Loose Hat of the Confidence Man" performed by the author, Jefferson Hansen, on 2-21-12

filmed by Ann Bogle



Tuesday, February 28, 2012

Jefferson Hansen reading "The Branded Woman"




The Branded Woman & Other Poems
(TheAlteredScalePress 2012)

$5 postpaid (check to "Jeff Hansen")
PO Box 8303
Mpls., MN 55408


Saturday, February 25, 2012

"Zipporah" & "We Are Accidents in Spite of Our Designs" by Jefferson Hansen


performed by the author, Jefferson Hansen
filmed by Ann Bogle

"Zipporah" means 'little bird' in Hebrew and is the title of a Marilyn Crispell song

Jazz Forms (Blue Lion Books)

"The Earth's Always on a Bender," by Jefferson Hansen, after the song "Solstice" by Marilyn Crispell



"The Earth's Always on a Bender," by Jefferson Hansen, after the song "Solstice" by Marilyn Crispell

Jazz Forms (Blue Lion Books)
filmed by Ann Bogle

Terrence Folz Reading From "Bunt Burke"

  Terrence Folz's chapbook  Bunt Burke will appear from The Circulatory Press in August 2021. The above film features him reading some o...