by Jefferson Hansen
February
2017
more to the light of
a solitary cello
bouncing
its warmth from
the stereo
across newspapers
strewn about
in February it rains warm in a Northern city
becoming ugly
in the
run-up
to
differentiation
even the sky
may be guessing
a restless balance announces itself
things come and
go
what can’t happen already
did
and gone
the leaks are wiped clean
by
standardized lies
sometimes
called accurately
cello strings recorded before I was born
and did not
hear
in
the womb
buzzing out
of a tautness
in an organized fashion
to rule as the obdurate dictator
less accurate than a seismograph is
more
accurate
depends on what
you want to get done
wishing different
than
what has been
now his public
psychology
the weather oppresses with its one warm day
after
another
snow shoes
never
came out of the room
could
we up the run
of the
last gesture
through
seeming wall
social boundaries seem not to matter to this guy
something simply agreed upon is not what could
level and
define
for instance
I imagine
this at another angle
the one gifted
to me
by
sleights of hands in an
enforced darkness
the challenge is the outer fortress
in the time of
resolute duty
sometimes
without moving
I merely stop
being
at this
exact spot
a cello offers angles
not noticed
by the reporters
it will do them
no good
unless
approached
how
could this all be different worlds
parallel
universes cutting
through
one another
the cello record
living
beyond the
cellist
yesterday’s news
on the floor
the patter of rain
on windows
the future begs more warmth
as the past
ripples out
its living
has invaded
the
future
the recording comes from the year
of the
Silent Spring
was it with the
movements somewhere
in this
improvisation
not
political
but the
fear of the political
we cannot live outside nature
but we can
deflect it
into pockets that give us
the hoax
of living
without cost
how you come to an angle
on the way an
issue
announces
itself
demands
it be on the scene
the edges of which
flutter like sheets
hanging
from a wire
the only dishonesty here is governing
by psychological
hang ups
not stance
and stratagem
like shouting
in the place
of the needed
tune
the fiats sometimes unimportant
just a fling
sometimes
deadly
wish I could see
a film
of this
cellist
the angle
of wrist
the grimaces how tight
her
knees cradle
the wood
at the greasy diner this morning
the waitress
said it was a gross day
then a
kitchen worker slipped
out the back
door
carrying
a full plastic bag
taking
it to a dumpster I have
sometimes used
I didn’t finish my
bacon
the angle
of the wish
I buzzed my hair over a newspaper this morning
gives way
before other
demands and there
is no way
back
nobody can play cello like this
today
cannot enter into
the nerves
of the flakes
that was
her now
a group of worlds coalescing
into her
fingers on the bow
held
according to tradition
according
to how Silent Spring
reaches to her flesh
her bone
the
hum of now
pulsing with
blood and marrow
today’s cellists play what is in these newspapers
what changes the weather dictates
the challenge for
me is
to
hear in the hollows of my torso
this
discomfort
instead
of longing for a sealed
‘now’ called
a
recording
why I am listening to this old music
now
synapses
reach and flutter
in the
wind of the brain
for
something sure
some
agreed fact
that can form a base
the birds have sung every year
since this music
was recorded
they had no
reason
to believe it would happen
at the time of
writing
of playing this cello
we dodged it
because of stories
about the science
percolating
from voice
to voice to typewriter
and pen
and TV
it
may (not) happen again
to close this poem
seems
dishonest
the newspapers
will be gathered
the recording
will end
for
now
we live among
signs
of the end
we have always
lived amid
such signs
______________________
Jefferson Hansen edits this blog.
______________________
Jefferson Hansen edits this blog.
1 comment:
Fantastic!
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