Tuesday, May 2, 2017

Cello More Dictator

by Jefferson Hansen

                                                                 February 2017

more to the light of
        a solitary cello bouncing
                  its warmth from the stereo
              across newspapers
            strewn about

in February it rains warm in a Northern city
       becoming ugly
             in the run-up
                to differentiation
      even the sky
                    may be guessing

a restless balance announces itself
                things come and go
      what can’t happen already did
            and gone

the leaks are wiped clean
         by standardized lies
             sometimes called accurately


cello strings recorded before I was born
           and did not hear
                   in the womb
         buzzing out
               of a tautness
                         in an organized fashion

to rule as the obdurate dictator
          less accurate than a seismograph is
                  more accurate
       depends on what you want to get done
                      wishing different
                than what has been
                     now his public
                           psychology

the weather oppresses with its one warm day
            after another
       snow shoes never
    came out of the room
                   could we up the run
             of the last gesture
                 through seeming wall

social boundaries seem not to matter to this guy
something simply agreed upon is not what could
        level and define
                                    for instance
            I imagine this at another angle
        the one gifted to me
                   by sleights of hands in an
                              enforced darkness

the challenge is the outer fortress
       in the time of resolute duty

sometimes
                without moving
      I merely stop being
              at this exact spot

a cello offers angles
           not noticed by the reporters
       it will do them no good
                  unless approached
                                  how

could this all be different worlds
        parallel universes cutting
                through one another
    the cello record living
            beyond the cellist
    yesterday’s news on the floor
    the patter of rain on windows

the future begs more warmth
           as the past ripples out
   its living
           has invaded
                     the future

the recording comes from the year
                of the Silent Spring
      was it with the movements somewhere
              in this improvisation
                      not political
            but the fear of the political

we cannot live outside nature
           but we can deflect it
                       into pockets that give us
                            the hoax
                                  of living without cost

how you come to an angle
     on the way an issue
             announces itself
             demands it be on the scene
       the edges of which
                            flutter like sheets
                                    hanging from a wire

the only dishonesty here is governing
      by psychological hang ups
            not stance and stratagem
         like shouting in the place
         of the needed tune

the fiats sometimes unimportant
       just a fling
           sometimes deadly
     wish I could see a film
           of this cellist
           the angle of wrist
                       the grimaces how tight
                   her knees cradle
                the wood

at the greasy diner this morning
      the waitress said it was a gross day
            then a kitchen worker slipped
         out the back door
                 carrying a full plastic bag
                 taking it to a dumpster I have
                     sometimes used
    I didn’t finish my bacon

            the angle of the wish
I buzzed my hair over a newspaper this morning
       gives way before other
    demands and there is no way
          back

nobody can play cello like this
         today
     cannot enter into the nerves
      of the flakes
           that was her now

a group of worlds coalescing
       into her fingers on the bow
           held according to tradition
           according to how Silent Spring
    reaches to her flesh
              her bone
                 the hum of now
         pulsing with blood and marrow

today’s cellists play what is in these newspapers
              what changes the weather dictates
     the challenge for me is
                to hear in the hollows of my torso
           this discomfort
                 instead of longing for a sealed
                        ‘now’ called
                      a recording

why I am listening to this old music

now
          synapses reach and flutter
              in the wind of the brain
                    for something sure
               some agreed fact
                        that can form a base

the birds have sung every year
      since this music was recorded
          they had no reason
                 to believe it would happen
     at the time of writing
                           of playing this cello

we dodged it
because of stories
     about the science
         percolating from voice
   to voice to typewriter
            and pen and TV
                   it may (not) happen again

to close this poem
           seems dishonest
    the newspapers will be gathered
        the recording will end
                 for now
     we live among signs
            of the end we have always

        lived amid such signs

______________________

Jefferson Hansen edits this blog.

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