Sunday, June 9, 2013

Untitled, by Kerri Pullo




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Kerri is originally from the Chicagoland area and currently resides in Tucson, AZ. Her art is primarily asemic and references abstract expressionism as well as street art, graffiti, and Arabic influences.  Kerri utilizes pigmented India Inks and acrylics on substrates of recycled photo paper, marketing mailers, and various foodstuff packaging.

“If you gaze upon her densely layered work for a time, we are confident you will start to see the shapes of letters, words and even phrases that never quite coalesce into a coherence one experiences when reading. This is one defining quality of asemic writing that is magical when done well: the suggestion of language, the ghost of language, an apparition of language that appears and disappears without ever bestowing meaning yet very possibly expresses something ineffable in the mind of the viewer.” - De Villo Sloan, International Union of Mail Artists.

See  http://annetrixiemona.blogspot.com/ for more.

Friday, June 7, 2013

Untitled, by Kerri Pullo




_____________________

Kerri is originally from the Chicagoland area and currently resides in Tucson, AZ. Her art is primarily asemic and references abstract expressionism as well as street art, graffiti, and Arabic influences.  Kerri utilizes pigmented India Inks and acrylics on substrates of recycled photo paper, marketing mailers, and various foodstuff packaging.

“If you gaze upon her densely layered work for a time, we are confident you will start to see the shapes of letters, words and even phrases that never quite coalesce into a coherence one experiences when reading. This is one defining quality of asemic writing that is magical when done well: the suggestion of language, the ghost of language, an apparition of language that appears and disappears without ever bestowing meaning yet very possibly expresses something ineffable in the mind of the viewer.” - De Villo Sloan, International Union of Mail Artists.

See  http://annetrixiemona.blogspot.com/ for more.

Wednesday, June 5, 2013

Untitled, by Kerri Pullo




_____________________

Kerri is originally from the Chicagoland area and currently resides in Tucson, AZ. Her art is primarily asemic and references abstract expressionism as well as street art, graffiti, and Arabic influences.  Kerri utilizes pigmented India Inks and acrylics on substrates of recycled photo paper, marketing mailers, and various foodstuff packaging.

“If you gaze upon her densely layered work for a time, we are confident you will start to see the shapes of letters, words and even phrases that never quite coalesce into a coherence one experiences when reading. This is one defining quality of asemic writing that is magical when done well: the suggestion of language, the ghost of language, an apparition of language that appears and disappears without ever bestowing meaning yet very possibly expresses something ineffable in the mind of the viewer.” - De Villo Sloan, International Union of Mail Artists.

See  http://annetrixiemona.blogspot.com/ for more.

Monday, June 3, 2013

Untitled by Kerri Pullo





_____________________

Kerri is originally from the Chicagoland area and currently resides in Tucson, AZ. Her art is primarily asemic and references abstract expressionism as well as street art, graffiti, and Arabic influences.  Kerri utilizes pigmented India Inks and acrylics on substrates of recycled photo paper, marketing mailers, and various foodstuff packaging.

“If you gaze upon her densely layered work for a time, we are confident you will start to see the shapes of letters, words and even phrases that never quite coalesce into a coherence one experiences when reading. This is one defining quality of asemic writing that is magical when done well: the suggestion of language, the ghost of language, an apparition of language that appears and disappears without ever bestowing meaning yet very possibly expresses something ineffable in the mind of the viewer.” - De Villo Sloan, International Union of Mail Artists.

See  http://annetrixiemona.blogspot.com/ for more.

Thursday, May 30, 2013

untitled

by Todd Clouser

We are in a small hotel in the southern Baja
A city called Constitution
It's all the romance you imagine
Cold night wind, men huddled in front of televisions
At sand bars
Gripping at their sweaters

I was here six years ago
The circumstances were different
The person I'd fallen in love with
And moved to Mexico to be with, this was all a secret at the time
Was from here, this little town
We'd been living together in Los Cabos for a few months
I wanted to drive
We had just been to the store and he bought a necklace and a couple new t shirts with some work I got him taking care of a friend's apartment

His name he had originally told me, the first time we met, because I could not pronounce his real one, was Elijah
He had written the other on a napkin
That took place at a bar, soft lights

But we had arrived together to this town to visit, a couple blocks from the town square
Where I had once picked him up with my dog, arriving from 
Minnesota by car
And I always knew he was hiding things
Not for malice, but for shame

And I got a hotel room for us to rest in
I wanted to meet his family, he said he would love that
I had spoken to them on the phone
When the hour came, he went walking alone
I could not go
I did not inquire
I knew

I couldn't have cared less if it was a tent or an estate
What's the difference anyhow, really
In some years people will see that about us
How misguided we were, this want world

But Elijah had watched TV
And had seen the big dreams and false smiles
And he was ashamed
That is tragic

So he wore his new necklace, a cross, and a sweater
And went on down the road
I watched out the hotel window, small hotel, two lane streets, gas stations and small markets
It was ok

We lived together for 2 years or so
It was beautiful but impossible
Manic in every way
I was a heavy drinker at the time and his shame often turned resentment
It ended, didn't dissipate, really ended, no hate, but gone
I was the first person he had lived with, maybe not fell for, but loved in the way partners can
The same was true for me

He went on to live for and with many others
Older men would come and offer to take him away to San Francisco, he liked this
That sounded like Hong Kong with Disney rides and heroin that never hurts sounds to me
He moved to Puerto Vallarta, and was desperate and alone
He was desperate and alone with me as well, looking back
I could not fix that, he was cut and still bleeding, not scarred
That's what I do, think I can control and fix, and lose
But Elijah was type of person we all know has a heart, is tender, impossible not to, impossible to, love


I am here in this little hotel room
And so much has happened since then
The trip we took to Prague together
The photos of his family when a middle-aged man from California sent me an email with the news 8 months ago
He had this photo of himself framed, at about 9 years old, in a school uniform, smiling
He loved to look at it, and sometimes cried

I was in Prague again
With the band
On a day off
And Elijah died
of AIDS
Syphillis, a stroke, and then AIDS
I cried and emailed my father
And went to the hospital to get my blood taken again
I was fine

He wanted to be loved but didn't know what that meant
Or how to allow it to happen
And that's all I can know about that
I travel through this little city
He grew up in
With a cinder block unfinished bedroom
And a pale of clean water for the week
Maybe I should have left him here

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Todd Clouser, a regular contributor to this blog, is a jazz-rock musician name one of the top 100 musicians worldwide in all genres "on the verge" of making a big contribution. His latest album is The Naked Beat (Royal Potato Family).

Tuesday, May 28, 2013

Death

by Dan Ryan


How can a letter be declared dead?
     Are we talking about one, singular letter  
        - Z - 
for instance,
     or a sheet of paper covered in letters,
arranged into words?
     Be the words from a dead language,
are they incomprehensibly dead?
     And, just how should one dispose of a dead letter,
singular or otherwise?
     Little information about the Dead Letter Office
has ever been made public.
     Is burial, or cremation, preferred?
I think I’ve come to a dead end, here.

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Dan is a regular contributor to this blog. His work also appears in AlteredScale.com 3.

Sunday, May 26, 2013

Tom Cassidy—Untitled

(Click to enlarge and isolate)


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Tom Cassidy appeared in AlteredScale.com 3 and is a regular contributor to this blog.

Tom Cassidy's written and drawn works have appeared in hundreds of smallpress and mainstream publications, as well as galleries and museums around the world. His works are archived in dozens of art institutions, often under his own name. With John Bennett and Scott Helmes, he co-edited Vispoeology (2007), an international anthology of visual literature for the Minnesota Center for Book Arts, where he also co-curated None of the Above in 2009. In 1976, Tom co-founded the Portland performance poetry troupe The Impossibilists, who were reunited in April, 2008, for a series of shows by the Oregon Heritage Commission. He is currently a board member, performer, and curator for Cheap Theatre and Patrick’s Cabaret.

Terrence Folz Reading From "Bunt Burke"

  Terrence Folz's chapbook  Bunt Burke will appear from The Circulatory Press in August 2021. The above film features him reading some o...