dans
le silence de pseudo-silence
collage
and entrance image ex
orbit
drifting all from light ha
m
mers cluster around the
mouth
dans un dernier mur
mure
cut through the s
lick
leaf c loud floaters sn ore a
bove
your drill pipe your eye fog
swirls
and scrawls son ombre
une
nuit de paper concrete in
terruption
in the rushing shadows
where
the binding burns a
stream
acré canal des miasmes
d’oxygène
opposing anti-
social
anatula eats the mass
of
hair rattling neoliberalism
-
bloated corpses’ slow dis
integration before
the beach
-
silence
vide nue ici vide si
lence
arises in the liquid
work’s
eruption of the ladder
clouds
of heads potatoes bo
bbing
toward the ships
turn
in drowning sun u
ne
heure avant the flail
ing
de toutes ses dents
la
voix qui dit vis seas
hushed
far from out the
fever
edited flies budget
envelope
in language of
asterisks
and parentheses
an
itching in the ears *)***(*
*)**(*(*** ne sais comment
les
vieux arrêtes writing un
derwater
archaeological dis
integration
pas à pas nulle
part
nulle part ni trêve à
rien
the stroll collapses the
gravel
glitters in the sun
the
same stone becomes
its
own distance
John
M. Bennett channels four voices: Samuel
Beckett,
“Mirlitonnades”, ca. 1977; Jim Leftwich,
Six
Months Aint No Sentence, Book 97, 2014;
Ivan
Argüelles, “ilion, omikron”, 2014;
&
John M. Bennett, Dec. 31, 2014.
_________________________________________
John M.
Bennett's most recent books include Liber X, Olvidos, Mirrors
Mascaras, and La chair du Cenote.
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